1. Sin Titulo (Recomposed by Joed Kleem)
2. Archivo X
3. Sin Titulo 03 (Recomposed by Tranquilo Bobby)
4. Dilbert – Inspired Reply
5. Audio A8 (Recomposed by Dany F)
6. LC 520
7. Sin Titulo (Recomposed by Eviru Dibad)
8. Sin Titulo 03 (Recomposed by Merino)
9. LC 520 (Beatless Tool)
10. Sin Titulo (Recomposed by MALA)
“Emphase is an acid techno track in its purest form: an acidline which wobbles and cuts through the bass while at the same time chilling as it drives you on.
Mseq’s remix of Emphase is the perfect oldskool detroitesque counterpart of the original. It is also built on the acidline but has its own character. The way the harmonies are being played emphasizes his great style.
Burn it down is a raw house track with vocal shreds animating you to burn down things. We encourage you to dance to the groove of this chicago-style tune instead.
At this point, thank you very much Mseq and Cansu Kandemir for the vocals on Emphase.”
“The first piece, ‘Just do it’, gets you carried away by its dubby, pumpy groove, to which the 303 on the second half of the track adds its part.
‘Sugar”, an acid house song, on the other hand could be the soundtrack to a sorrowful movie.
Last but not least ‘Son’ with its eurodance-flair is a relaxing dance tune.”
“We have chosen 4 new Hungarian tracks for the first part of the fifth release, and to top it all, this will be the first official appearnce for more artists.
The first track comes from the ancient deep-house-face, the ears and sampling work of Vinyluser are laudable! The title reveals the origins of the music used to sound samples – dope piece, in more than 5 minutes. The second track was produced by Berkeley, who feels at home in the ambient sounds (using different alter ego called Wum). The track, which is full of effects and sound-snatches tell us a great crime story. We received the 3rd track from Grema. Can you hear those raw power in the track, that we felt at his successful live act in the summer? It is a dance floor bomb with techy and acid elements. The last track was made in the BRP Studio. In:Form uses his own sounds – a dark bassline, pads swim under the little fragments.”