“Tlacactoc‘s album Typhoid Mary is a journey that reflects desolate and dark panoramas at the beginning and culminates in an explosion of colours through different episodes. This is not a conceptual album as such, but rather, as Tlacactoc describes it, an approach to some of the styles that he most prefers and enjoys as a lover of frequencies and signal flows.”
“Today I share with you the result of a creative exercise: composing and recording music inspired by this photographic record of Magellanic solitude, in a very short time and only using synthesizers, electric bass and an electroacoustic guitar. By doing this I wanted to draw a more complete vision of how I see my habitat and what catches my attention about it. With images and sounds I can express in a deeper way than with words the sensation of strangeness and melancholy that certain places produce in me. And thus reveal new textures under the hard light that illuminates this boundary. I hope you enjoy this brief visual and sonic pass through places where it is easy to imagine that the world has already ended. Because I believe that what would come after our disappearance will be just as calm as that interior path I love to lose myself on”
as a child, i maintained an irrational hatred of fungi. i didn’t like the way the ones that grew in my backyard crumbled when i gripped them in my tiny fists. i didn’t like the way the ones i was fed tasted. they contained traits of both meat and vegetables while still remaining a third entity. they were difficult for me to place. they disrupted the binary narrative of nature i was taught, one of fauna’s perpetual domination over his flora.
these qualities are the things i currently value most in fungi. i won’t call them a disruptive force because man’s categories are subordinate to them and not the other way around. the surface is one part of earth. below us is an infinitely large civilization ruled by worms and fungi. they expand and intermingle. each fungi is a system of references to itself. they have flesh, but they aren’t meaty.
it is not enough to give these things jobs, houses, and clothes. our respect towards flora only extends as far as we are able to enjoy its forests and rivers. there will never be a reserved space specifically dedicated to fungi growth in america comparable to its national parks because it would be inhospitable to humans.
it is not the fault of the fungi that it oozes when i crush it. it is not the fault of the fungi that it is unappetizing. there is no fault. there’s only me in my backyard.”
“Vindictiveness is Hypnos‘ most structured, most complex release to date, revealing yet another side of the project, inspired by club techno aesthetics, with constructions derived from and building on early rave music rhythms and sequences and everything merged into swathes of ambient fields of long, calm and heavy drones.”
“Returning for his fourth venture on the label, one of our oldest flagbearers Simon Mann presents: 3thical Plant Experiments – Equatorial Visions. A new bearing on Mann’s workflow, the 3PE project represents an unmistakable pivot in terms of sound design and production, turning from the more witching, dubby sounds of his namesake alias to something more humid, thermal, and organic in tone.
Describing the three tracks on Equatorial Visions perfectly, the EP vaults between the Tropic of Cancer and the Tropic of Capricorn, as if to sail through the warm air that sits above the equator. They are lively, animated, and sonically pleasing through and through.
I guess what we’re saying is that these tracks are a delight to listen to; a welcome new chapter in Mann’s artistry. As if we need to say it again, this release and all others on the CVU series are free to download straight from Soundcloud. Float away at your leisure!”