“The idea behind the LP was to get back to basics, so I set down these ground rules:
1. All recorded on old tape 4 track, using microphones and recording equipment bought from pound shops and cash convertors for under £5.
2. All tracks recorded on 4 tracks only no overdubs
3. All vocal tracks would be first take only even if disaster struck whilst recording ,so a lot of these songs have only ever been sang once.
4. All songs recorded would have been written that week . so the rest of the band would never have heard them before recording.
5. every song started would be completed that night so no going back.
It was recorded over 10 consecutive Friday nights during that 10 weeks. There were two romantic break ups (the two ex girlfriends actually sang on some of the tracks to add to the spice), and only just before the start a marriage had also broken up. There was lots of alcohol consumed lots of madness. It is the sound of four people going out of their minds , Looking back, I wonder how Dan managed as he only turned 17 during the recording of this lp, but his teenage angst mixed with our midlife crises made for a very dark work of art. This was supposed to be our third Brutarian Records release, but a label that boasted in its bumph as releasing uncommercial uncompromising music refused to release it as it was too uncompromising and uncommercial. I have very fond memories of this LP; recording it was an experience that was only matched in madness when recording our ‘Ronco Revival Sound’ LP.
“GROUPHUG Vol. III is live. 17 tracks from 17 bands of 17 groups of awesome folks. Hit the link to download it rn. Our tunes have always been free to download (and will continue to be). Today, though, we’re setting the compilation to “name your price.” All proceeds — both Bandcamp’s cut and ours — are going straight to the ACLU Nationwide.”
“Formed in Malmö, Sweden by Martin Månsson Sjöstrand (vocals and guitar), Emil Engblom (bass) and Carolina Carlbom (drums and vocals), Dog, Paper, Submarine’s third Small Bear release may be their catchiest and most immediate yet. Recalling the sound of indie-rock’s golden era, the band have been favourably compared to the likes of Guided By Voices, Pavement and Sebadoh, whilst retaining a recognisable sonic identity of their own. Packing 8 songs into 20 minutes, Trouble On Earth veers from propulsive, fuzzed-up rock to janglier, sometimes more downbeat fare, making unexpected detours but always packed with inviting melodies. Existing fans of the band (and frontman Martin’s lo-fi side project This Heel) will not be disappointed, as everything that has made previous releases great is present here, with enough fresh twists and turns to make this record a vital addition to their catalogue.”
“The follow-up to last year’s eponymous EP, Signal From Kepler 22b comes hot on the heels of two solo releases from DPS frontman Martin Månsson Sjöstrand under the ‘This Heel’ banner earlier in 2015. Completed by bassist Emil and drummer Carro, Dog, Paper, Submarine deal in fuzzy, lo-fi, melodic indie-rock of the sort that journalists once liked to refer to as ‘skewed-pop’, comparable to the likes of Guided By Voices, Pavement, Lilys and Elephant 6-ers like Neutral Milk Hotel but with an identity all their own. ‘Signal From Kepler 22b’ retains the charm, energy and joy that made last year’s self-titled Small Bear debut one of 2014’s great records for those that heard it, whilst in places veering off into spikier, more angular and discordant post-punk territory. Pair this with the recently-released ‘This Heel II’ EP and we promise you’ve got a perfect soundtrack to the summer!”
“Disillusion, solitude, reminiscence, believing, traveling, loving, belonging.
Belonging to somebody, to yourself, to nature, dreams, to the unknown,
to something, to anything, to no one and nothing.
Belonging to the thought of not belonging. Either way – we all belong.