“Five years after ‘Seven Mirrors’, Inner is the new album by Nunun (Cesare Discepoli: guitar, effects; Massimo Discepoli: drums). Composed and recorded between 2014 and 2016, this is the duo’s more introspective album, resulting from the need of a musical research by the two musicians, but at the same time always crossing the path of experimentation and improvisation present in previous discs.”
“As per yearly tradition, Jan presents an ep with material that did not fit the full-length album from previous year, in this case ‘Jan Pierwszy Starszy’. As with every JS e.p. there are no rules and the diversity of genres is breathtaking. Here we have casio-retro-wave, guitar post rock, noisy guitars overlaying, joyful turkish zurna-pop with broken time signature and an anthem of the priviledged man with a sturdy beat!”
“Todos los temas compuestos y producidos por Fernando Mercadal. Músicos invitados, arreglos adicionales: Natalio González, Federico Lattanzi, Tefy Parsi. Grabado y mezclado en casa por Fernando Mercadal, entre septiembre 2014 y mayo 2015. Mezcla adicional junto a Gustavo Maciel en estudio La Púa, Villa María, Córdoba. Masterizado por Manuel Schaller en Puro Mastering, Florida, Buenos Aires. Fotografías y diseño gráfico: Fer Mercadal.”
“The seven multilayered pieces presented here are hybrids meticulously built up of acoustic and electronic elements both composed and improvised. Synthesizing a complex relationship of lyricism and abstraction, acoustic double bass and drums define melodic and rhythmic figures against an ambient field constructed of electronic textures. The emergent sound is a weave of modallyinflected melodies floating over propulsive, intricate rhythms and harmonic blocks carved out of electronic matter.”
“My first complete LP. Written and recorded between September 2014 to February 2016, at first it was a side project while I worked on another album, but then Void became a full-length album. The other album will be released too, though!”
“Fractal – a mathematical set is self-similar, as each event in a certain period of time has an infinite number of versions. This story goes on with Vimanika project in the Abyss Fractal.
The album is a rather colorful mixture of glitch electronics and easily, penetrating guitar tunes, air textures, soft keyboards and sometimes ambient sounds. This interweaving of musical techniques gives birth to most amazing images, leads to philosophical thoughts and goes straight into the abyss. In the abyss of fractals.”
“Sail is the culmination of 6 months of making music on my own in my home studio. For me it’s a small wonderful journey starting from the title track which is my first non-guitar song till the last song Round Window that is the most groovy and maybe easy listening song. The mid songs are best of both worlds, or at least what i believe they are.”